Augustin Hadelich Brahms Violin Concerto

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Augustin Hadelich and the Seattle Symphony are a match made in heaven. Having already won a Grammy Award together, Hadelich returns with Brahms’ Violin Concerto. As The Seattle Times wrote, Hadelich is an artist “whose playing is so riveting, so beautifully original, that you want to exhort every reader: ‘Go if you possibly can.’”

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Thursday, 31 October, 2019 7:30PM

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Saturday, 2 November, 2019 8:00PM

Rachmaninov Symphony No. 2

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Crippling self-doubt and scars from scathing reviews almost silenced Rachmaninov as a composer, but he fought his way back to create his rapturous Second Symphony, a work saturated with heart-wrenching beauty. In her new concerto, composer Angelique Poteat envisions a timely musical discourse in which the cello “strives to promote art, expression and free will in an orchestral swarm of oppression, close-mindedness and uncertainty.”

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Thursday, 14 November, 2019 7:30PM

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Friday, 15 November, 2019 12:00PM

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Saturday, 16 November, 2019 8:00PM

Stravinsky The Rite of Spring

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With howling harmonies, gut-punching rhythms and a prehistoric plot that builds to the pagan sacrifice of a virgin dancing herself to death, it’s no wonder that Stravinsky’s The Rite of Spring set off a riot at its first performance. Thomas Dausgaard, leading an oversized orchestra, lets loose all the physicality and wild abandon embedded in this earthshaking ballet.

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Thursday, 21 November, 2019 7:30PM

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Saturday, 23 November, 2019 8:00PM

Beethoven Emperor Concerto

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Beethoven’s Fifth Piano Concerto, his last and largest, earns its “Emperor” nickname with majestic keyboard flourishes and sumptuous orchestral surroundings. Mendelssohn’s “Italian” Symphony jubilantly relives the brilliant sunshine, mystical nights and spirited locals that greeted the young genius on his Grand Tour.

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Thursday, 9 January, 2020 7:30PM

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Friday, 10 January, 2020 12:00PM

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Saturday, 11 January, 2020 8:00PM

Thomas Zehetmair Beethoven Violin Concerto

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Beethoven’s Violin Concerto ushers us into that rare space where every gesture is essential and meaningful, from the anticipatory taps on the timpani to the ascendant arpeggios of the finale. Thomas Zehetmair serves as both conductor and soloist in this spellbinding concerto, bringing what the BBC hails as “a virtuoso technique married to a musical mind that won’t take anything for granted.”

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Thursday, 16 January, 2020 7:30PM

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Saturday, 18 January, 2020 8:00PM

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Sunday, 19 January, 2020 2:00PM

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