Beethoven’s Piano Trio No. 5 is often called the “Ghost Trio” due to the spectral atmosphere of the second movement. His Oboe Trio, along with Mendelssohn’s String Quartet No. 2, are both early testaments to the precocious composers’ mastery of chamber ensemble writing. Published amid speculation of a rivalry with Debussy, Ravel’s work sets the poetry of Stéphane Mallarmé to a concise yet deeply ethereal score.
Maria Männistö delights in exploring the vast range of human expression through music, be it classical repertoire, demanding contemporary works, Scandinavian folk singing, or her own compositions. She has premiered numerous works, including Wayne Horvitz' Smokestack Arias at ACT Theatre and Garrett Fisher's Kocho at the Galapagos Art Space in New York.
Born in Ekaterinburg, Russia, Natasha Bazhanov began playing violin at the age of 5.
After making his solo debut with the Oregon Symphony at the age of 11, violinist Andy Liang went on to perform in Carnegie Hall, The Kennedy Center, and Boston’s Jordan Hall by the age of 15. He began his violin studies with his father at the age of five, and has been featured on NPR’s “From the Top” radio program
Mae Lin joined the Seattle Symphony in 2008 as a member of the second violin section. Having grown up in Bellevue, she was very excited to return home to join her hometown symphony.
Violinist and violist Timothy Christie enjoys a multifaceted career as performer, teacher, public speaker and recording artist. He is the Founder and Artistic Director of the Walla Walla Chamber Music Festival, a nonprofit organization in southeastern Washington presenting more than 40 public chamber music events annually. He also serves on the faculty of the School of Music at the University of Puget Sound in Tacoma, WA, and is a member of IRIS Orchestra in Memphis, TN.
Timothy Hale earned a Bachelor of Arts degree from the University of California at Santa Barbara and a Performance Certificate from the Yale University School of Music.
Daniel Stone, violist, joins the Seattle Symphony viola section in the fall of 2018 after playing for two seasons in the Calgary Philharmonic. Prior to Calgary, he received a Master of Music degree and a Master of Musical Arts degree from the Yale School of Music as a student of Ettore Causa. While at Yale, he was a faculty member at the Fairfield School of Music and the violist of the Orange String Quartet. A native of Chicago, he previously studied at Indiana University with Stephen Wyrczynski of the Philadelphia Orchestra, and with Desirée Ruhstrat of the Lincoln Trio. His summer studies include the Kneisel Hall, Norfolk, Sarasota, Tanglewood and Aspen music festivals.
Cellist Nathan Chan made his musical debut at age 3 conducting the San Jose Chamber Orchestra. He has performed as a soloist with the San Francisco Symphony, The Royal Philharmonic and the Albany Symphony, among others. In 2015 Chan was a chosen artist for Fondation Louis Vuitton's Classe d'Excellence du Violoncelle with renowned cellist Gautier Capuçon. Nathan earned his bachelor’s degree from Columbia University and has a growing internet presence with over 6.1 million views. Nathan studied with Richard Aaron at The Juilliard School, where he recently earned his Master of Music.
Before joining the Seattle Symphony in 2009, Associate Principal Cello Meeka Quan DiLorenzo held the title of Associate Principal Cello of the Utah Symphony for five seasons.
Rowena Hammill is Associate Principal Cello of the Los Angeles Opera Orchestra. She has played with the Girsky String Quartet since 2012 and has enjoyed curating the Beethoven Quartet project on Vashon Island and the Club Shostakovich concerts in the Seattle area.
A Seattle native, Jeffrey Barker is beginning his new position as Associate Principal Flute of the Seattle Symphony in the 2015–2016 season.
Zartouhi Dombourian-Eby is regularly featured as both a flute and piccolo soloist with the Seattle Symphony.
Oboist and English hornist Stefan Farkas is Principal English Horn of the Seattle Symphony. Prior to his appointment in Seattle, he performed in the same capacity with the Houston Symphony.
Clarinetist Laura DeLuca joined the Seattle Symphony in 1986. She is also a co-founding member of Seattle Chamber Players, a contemporary music ensemble formed in 1989, boasting nearly 100 commissioned works.
Eric Jacobs is the newly appointed Clarinet and Bass Clarinet of the Seattle Symphony. Prior to joining the Symphony, Jacobs was based in Los Angeles pursuing an active career as a chamber musician, orchestral musician and new music advocate.
A prizewinner from the Liszt Garrison Competition, Dr. Li-Tan Hsu is currently a Collaborative Artist in Residence in Music Division of the Seattle University. Before moving to Seattle in April 2015, she was a faculty member of the Peabody Preparatory of the Johns Hopkins University. A pianist in high demand, recently she was named the accompanist of the semi-final round for the Seattle Symphony Piano Competition. Dr. Hsu was a rehearsal pianist for concert musicians such as Jean-Efflam Bavouzet and Victor Danchenko, to name a few.